Ambigrams Revealed: A Graphic Designer's Guide to Creating Typographic Art Using. Optical Illusions, Symmetry, and Visual Perception. Nikita Prokhorov. Figure The finished ambigram with the shading and details. Excerpted from Ambigrams Revealed: A Graphic Designer's Guide To. NYC-based graphic designer, author of Ambigrams R.. Ambigrams Revealed: A Graphic Designer's Guide To Creating Typographic Art

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Ambigrams Revealed: A Graphic Designer s Guide to Creating Typographic Art Using Optical Illusions, Symmetry, and Visual Perception Save this PDF as. Download or read online for free through an ebook, PDF, site ebook or ms word. Are you looking for Ambigrams Revealed: A Graphic Designer's Guide To. Ambigrams Revealed: A Graphic Designer's Guide To Creating List Price: $; Includes EPUB, MOBI, and PDF; About eBook Formats.

Sketching Your Ambigram. Refining Your Sketch. Final Words of Wisdom. An ambigram is a word that, when viewed from a different perspective, reveals the same or a different word.

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It is much easier to turn a piece of paper than a computer screen! Starting with a simple word, you will see how different typographic styles affect the legibility and readability. Share your ambigram development process in the Project Gallery. A completed project should include:. I'll give feedback throughout. I will also be uploading some other hand-drawn ambigrams and bonus content as time goes on.

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All Classes. Student Projects. Sign In. And if you can t read my ambigrams, don t worry; at times I can t read them either.

John Langdon Figure I. Nikita Prokhorov Great discoveries usually happen by accident, and my ambigram discovery was no exception. The rest of the book ceased to exist as the next hour was spent with pencil and paper in hand in an attempt to figure out just how this typographic design worked. Although that attempt was not successful, giving up was not in my nature: I spent weeks researching and sketching before I created my first ambigram Figure I.

As raw as it was aesthetically, it was an ambigram: fairly legible, readable, and when rotated degrees, it read the same.

I was ecstatic, knowing that I had found a new artistic addiction that would not end with just one ambigram. Exploring the ambigram world The discovery of John Langdon and Scott Kim s work opened up a completely new world for me.

I decided to start an ambigram blog called Ambiblog to bring all the artists and knowledge together under one virtual roof. Shortly thereafter, Mark Hunter the owner of ambigram. We began running monthly contests, conducting interviews, and posting ambigram-relevant content, trying to connect designers from every corner of the world.

Being connected to ambigram artists worldwide, it was only natural to consider the opportunity to showcase international talent that had never been published!

Typographic Deception: The Art of Drawing Ambigrams

Although artists like John Langdon, Scott Kim, and Douglas Hofstadter had published their individual work, a book featuring ambigrams from all over the world did not exist. The idea for Ambigrams Revealed 7 was born a book featuring several hundred unique ambigrams from around the world Figure I.

A Call to Enter was posted on ambigram. Over entries were submitted! The judges were asked to select ambigrams for different sections of the book: a case study section, which would feature process write-ups and sketches from the artists, and a showcase section, which would showcase several hundred unique entries.

Along with the writing from several of the judges, this book would truly be one of a kind. Who this book is for This book is intended for everyone. If you are an ambigrammist, you ll discover amazing new work and be able to connect with fellow artists via their or website.

If you are a graphic designer, you ll love the typography and illustration. If you have never heard of ambigrams, you ll be amazed at the talent and creativity revealed in this art form.

Regardless of which category you are part of, you ll find yourself flipping through the pages of this book for inspiration over and over again. The writings and ambigrams that you ll see on the subsequent pages are a culmination of several years of writing, research, and design.

This book is an international showcase of talent and a testament to the ambigram as an art form that pulls you in and does not let you go. You will get a glimpse inside the minds of different ambigrammists and learn how they think and work.

Above all, after reading this book, you ll know what it takes to design an ambigram, and undoubtedly, will start sketching long before you get to the last page. That being said, the time has come to turn the page and discover ambigrams for yourself.

Enjoy the journey and the experience! And the more you read about ambigrammists and their styles, the more you ll realize that each ambigram is unique and that the design process is very personal for each designer.

You too will need to develop, define, and refine your own process. However, the following ten tips from the pros will help you get started. Choices, choices. The success of your ambigram begins with word choice and letterform analysis.

Keep in mind that not every word can become a good ambigram.

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Before you start creating ambigrams, learn about graphic design, typography, and color. Go to libraries and old bookstores to search for visual inspiration. Visit museums and art galleries.

Use various online resources, some of which you will find on the next page.

And, of course, research ambigrams to see what has and hasn t been done. Simplicity is key. At first, learn how to make a legible and readable ambigram from simple words.

Then apply various typographic styles to it so you can learn how they affect the legibility of your ambigram. As your skills improve, progress to more complex words.

Sketch, sketch, and sketch some more. If you want to create a truly unique ambigram, paper and pencil should be your starting point. Experimenting with different letter combinations and ratios on paper is the only way to account for all possibilities.

Judge’s Comments

Function first, style second. The style of the ambigram manifests itself throughout the development process and should never be set in stone beforehand. When you base your ambigram on an existing style from the beginning be it a certain typography style or even an existing typeface , you trap yourself in a corner if the chosen word requires extensive letter manipulation.

Use a consistent lettering style, letter spacing, and letter heights to achieve readability.

Strive to find letter shapes that are clear and unambiguous. If a particular letter shape just isn t working, consider using an alternate form of the letter.

Don t be predictable. If your ambigram contains predictable letter combinations, take the time to explore other solutions. Context is important, so explore various letter combinations with respect to their location within the word.

Even if a certain combination may not work within one word, it may work in a future ambigram. Some letter flips are unavoidable, whereas others offer a lot of flexibility.Some ambigrams feature a relationship between their form and their content.

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Ambigrams & Math: In one embeddable ebook

Free download We Are Anonymous. Figure 3 Outline sketch of the entire ambigram All the work I had done to that point could be ruined if one of my curves was not exactly like the other. Some ambigrams feature a relationship between their form and their content.

MICHELINE from Sterling Heights
I do like reading books closely . Look through my other articles. I enjoy knitting.